Folies d’Espagne from Page to Stage
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Available in French and English.
DVD run-time: 45 minutes
The French production The Art of Baroque Dance amply illustrates the process of recreating a Baroque dance. Randy Pitman, Editor, Video Librarian
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King Louis XIV, an excellent dancer, ordered the invention of a notation system to record, codify, teach, and spread the art of 17th century French Baroque dance. Given its ephemeral characteristics, dance was previously difficult to preserve over long periods of time. This invention combined with director/choreographer Natalie Van Parys’ wealth of dance heritage knowledge brings us this fascinating and well-curated performance on DVD.
By viewing the re-creation of this one Baroque dance, “Folies d’Espagne”, the viewer can trace five important characteristics portrayed in this dance performance:
- Dance notation
- Treatment of space
- Arm embellishments
- Relation to music
- Interpretation of the dancer
Director/Choreographer/Dancer Natalie van Parys
Natalie van Parys is a gifted dancer and choreographer honored for her accurate treatment of historical knowledge within her many international productions. She has worked with such companies as Ris et Danceries and L’Eventai and created the companies Les Fragments Réunis, Les Cavatines. Van Parys has studied under Francine Lancelot and served as her production assistant for Le Malade Imaginaire at the Théâtre du Châtelet in 1990 and for Zarandanzas presented at the Biennale de Lyon in 1992.
She has performed several times at the BAM in New York and the Jacob’s Pillow Festival. Van Parys also created the staging and choreography of six successive baroque operas for the Hokutopia International Festival of Music in Tokyo.
A dance historian, Van Parys translated and studied the Italian treatise on dance, Tratatto di ballo di Gennaro Magri, the only text that links baroque dance to the classical ballet of the end of the 18th century. She used the technical and stylistic elements from the treatise in her choreography for La Fée Urgèle by Duni and Favart, performed at the Opéra Comique with Christophe Rousset and staged by Jean-Marie Villégier.
She is renowned for the staging of a performance dedicated to the works of her grandfather, Georges van Parys, a composer who wrote songs such as La complainte de la Butte.
Les Cavatines, her latest company, is dedicated to the preservation and production of the French tradition in the lyrical arts: dance, musical theatre, comedy, and operettas.
Written and directed by
Natalie van Parys
Natalie van Parys
Viola da Gamba
The French production The Art of Baroque Dance amply illustrates the process of recreating a Baroque dance… Enriched by lovely cinematography and period instruments, this fine production can be enjoyed by dance professionals and casual viewers alike. Highly recommended. Randy Pitman, Editor, Video Librarian
Just as museums preserve works representative of the artistic creation of a specific era, so this video is conceived as a museum of the dance, designed to safeguard the fruits of years of Baroque dance research for future generations. Jean Marie Bruson, Curator, Musée Carnavalet, Museums of Paris
Excellent way to broaden everyones knowledge of Baroque dance. Filled with great historical information regarding this dance along with the choreographic notes, this DVD will show you the French presentation of this elegant Dance. Dove World
Produced in France and featuring both English and French audio tracks, The Art of Baroque Dance: Folies d’Espagne from Page to Stage is a stellar survey of the nuances of traditional 17th century dance, as it has been preserved and practiced up to the modern day. Historical and architectural images intersperse this wondrously informative examination of Baroque dance notation, treatment of space, arm embellishments, relation to music, and interpretation of the dancer. Director and choreographer Natalie Van Parys applies her years of experience in Baroque dance companies in this one-of-a-kind DVD presentation enthusiastically recommended for anyone interested in the rich cultural history of Baroque dance. Midwest Book Review